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The wait staff had heard it all before and didn’t even flinch. Although I never saw a juke box, I felt like a goober for sitting in a booth and ordering a “damn good cup of coffee” and a slice of cherry pie. The new diner was remade in the original style with that giant U-shaped counter in its center.
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Then again, the actual diner had burned to the ground in 2000. Hell, in the real place Sherilynn Fenn wouldn’t have room to dance two steps. The place had a cool feel, though it was far more cramped than the interior reproduced for the show on a sound stage. During filming, it was actually the Mar-T Diner until it changed hands. Pulling into town on a somewhat cold and flurry kind of day, the first thing to come into view was Twede’s Café, known to the world as the Double R Diner in Twin Peaks. Just forty minutes from Seattle, the town was small, welcoming, and not weird at all. In early March, I drove to North Bend, Washington where Twin Peaks had been filmed. Before the film ended, only three of us remained. I remember stepping into a venue and enjoying the film with thirty people – or so I thought. After the show’s demise, Lynch brought a pre-quell to the world that allowed Sheryl Lee to star instead of being “wrapped in plastic.” Although he cut a tremendous amount of footage to get the film into theatres, many audience members hated the movie. Granted, the first season proved to be brilliant, and except for the final two episodes of the second and final season, those shows were an embarrassment and became a parody of Lynch’s vision, as well as co-creator and co-writer Mark Frost. Plus, it showcased the most screwed up and demented high school students on the planet. Twin Peaks worked because it was far removed from the typical mundane television formula: The story was vibrant and multifaceted, the acting superior, and Angelo Badalamenti’s music burrowed deep within one’s soul. I couldn’t take my eyes off the television or get my mind away from the many mysteries that took residence in the bizarro town, as well as the lines that would become catch phrases (only Joss Whedon’s Buffy surpassed Lynch in that category). When David Lynch’s alternative and surreal soap opera twist, Twin Peaks hit the small screen in 1992, I was glued to the show like millions of others.